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导演：
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托马斯·Q·纳珀
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该片基于Tilar J. Mazzeo所著小说《The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It》，讲述19世纪法国凯歌酒庄早年的坚韧发家历程，将这个标志性橙色品牌背后的迷人年轻女子形象栩栩如生地展现出来。 凯歌香槟1772年由商人菲利普·克里科创立，其子弗朗索瓦·克里科与商业大亨尼古拉斯·庞萨丁的女儿芭比·妮可·庞萨丁结婚后，夫妻俩逐渐接手酒厂，一同发展香槟事业。七年后，弗朗索瓦在30岁时因伤寒突然去世，震惊的菲利普打算清算公司，27岁的芭比决定接管丈夫的生意，成为19世纪初期在男性主导的世界中经营国际企业的首批商业女性之一。在当时的法国，寡妇是唯一不需要经过丈夫或父亲的同意进行工作、读书的女性。 因为战争，酒业一度摇摇欲坠，公司面临破产，芭比通过将香槟出口到俄罗斯力挽狂澜，拿破仑战争期间，凯歌香槟在整个欧洲的皇室宫廷取得了大幅进展，将其确立为整个欧洲上流社会和贵族青睐的饮品方面发挥了重要作用。
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克莱尔·奥克利,玛丽·奈伊
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故事发生在虚构的威尔士小镇莫法·哈伦（Morfa Halen）。这个紧密团结的社区岌岌可危地坐落在巍峨群山和不断逼近的海水之间，海洋正威胁着它的生存。一场百年一遇的风暴正在远海酝酿，前侦探、现任教师杰基·埃利斯（Jackie Ellis）发现了她8岁学生塞芬（Cefin）的尸体，塞芬似乎是溺亡的。这一发现震惊了整个社区，也唤醒了三年前震惊小镇的一桩悬案——杰基的侄女内莎（Nessa）的失踪，这桩案件也断送了她的职业生涯。塞芬的死让杰基的前搭档，侦探埃里克·布尔（Eric Bull）重返莫法·哈伦，负责调查这桩他曾经失败过的案件。杰基和布尔确信这些案件彼此关联，他们必须和解，争分夺秒地揭开莫尔法深埋已久的秘密，以免风暴来临，所有证据都永远消失。
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大卫·米奇欧德
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影片讲述美国著名拳击运动员、“女洛奇”克里斯蒂·马丁的故事。克里斯蒂来自美国西弗吉尼亚州小镇一个相对保守的家庭，当时她作为一个年轻的女同性恋者不被允许做自己，所以用拳击作为表达自己和愤怒的工具。她必须在生活中做出一些危险而根本的妥协，其中最严重的是嫁给一个极其危险的男人。 1989年，马丁遇到了她的经纪人、后来的丈夫吉姆·马丁，生活发生了转变。她打破界限，成为第一个与金牌拳击推广人唐·金签约的女性，也是唯一一个登上《体育画报》封面的女拳击手。 克里斯蒂的魅力、漂亮外表和对赛场的适应为她赢得了狂热的粉丝群，并推动她成为次中量级冠军。但在精心塑造的公众形象背后，她面临着个人内心的恶魔、有毒的人际关系以及一次致命的谋杀事件。
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安德鲁·库明,李·海文·琼斯
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John is a repressed man who is shocked to find himself in middle age, secretly raging at his life as a stay-at-home dad. When his failure to intervene in a violent confrontation in a playground brings his identity crisis to a head, John ups and moves his family to the rural idyll of Coldwater, as far away from London as possible. Upon arrival, John is quickly befriended by next-door neighbour Tommy, a charming, confident man, devoted husband to the local vicar Rebecca. He is a man of faith, a pillar of the community and self-appointed leader of the village’s all-male book group. John is both impressed and slightly fascinated by Tommy. His wife Fiona despises him. As a successful former chef hoping to launch a new venture in Coldwater, Fiona sees the move as an opportunity to leave the past behind them. To not only re-build their lives as a family but re-ignite the long-lost spark in their fading marriage. When her husband’s relationship with their enigmatic new neighbour becomes increasingly intense, Fiona’s suspicions are aroused. She is unconvinced Tommy is all he seems to be. But John remains blissfully unaware that Tommy is harbouring horrifying secrets, and it’s only after a series of unsettling incidents start to occur that John begins to wonder who the real Tommy actually is. And when John’s long-repressed rage comes to a head with disastrous results, he soon finds himself unexpectedly indebted to his new friend. This is the story of a normal man, in a normal marriage, who finds himself in a far from normal situation. A man who discovers a newfound sense of his own power, right at the moment he falls under the influence of someone incredibly dangerous.
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Timothy David Piper
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The family relationship drama-comedy centers around a struggling Hollywood actress forced to reunite with her sister as part of her father’s last wishes. Lou Wells (portrayed by Breeds) was set to become Hollywood’s next big thing – but a few years later, she’s hit rock bottom. Broke and aimless, she reluctantly accepts a ticket from her estranged father (Thomson), home to Kangaroo Island for a “family reunion.” When her father’s real agenda unfolds, years of tension resurface, and Lou struggles between continuing to run away from her past or working to repair the damage done.
导演：
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安德鲁·库明,李·海文·琼斯
剧情：
John is a repressed man who is shocked to find himself in middle age, secretly raging at his life as a stay-at-home dad. When his failure to intervene in a violent confrontation in a playground brings his identity crisis to a head, John ups and moves his family to the rural idyll of Coldwater, as far away from London as possible.
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Maurice Hübner
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Die Handlung macht einen Zeitsprung von 14 Jahren und zeigt die Familie Schöllack, die mittlerweile mit drei Generationen in der Wohnung über ihrer Tanzschule lebt. Während sich die Matriarchin Caterina weiterhin in das Leben ihrer Töchter einmischt, führt die älteste Tochter Helga die Tanzschule und kommt dem Zahnarzt Hannes näher. Monika konzentriert sich auf die Tanzkarriere ihrer Tochter Dorli. Währenddessen kehrt Eva nach 14 Jahren aus dem Gefängnis zurück, und es fällt ihr schwer, wieder einen Platz im Leben zu finden. Die Familie wird von Linda Müller begleitet, die für einen Fernsehsender eine Dokumentation über das Traditionsunternehmen „Galant“ drehen möchte.
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安迪·海伊,汤姆·森兰,约翰·史翠兰,大卫·摩尔
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《马普尔小姐探案》第五季：白马酒店、名苑猎凶、蓝色天竺葵、破镜谋杀案。 世界推理史上与波罗、福尔摩斯比肩的“安乐椅神探”——马普尔小姐隆重登场！ 目光慈祥，容颜清癯，银发如霜，小乡村里，安乐椅上，摇啊摇地编着白色羊毛衫——这么一位普普通通的老太太，怎么就成了推理史上声名显赫、令江湖恶棍闻风丧胆的乡村女神探？ 只能说，案件是复杂的，推理是简单的，世事是奇妙的。马普尔小姐的出现，几乎是在证明每个人——即便象我们这样的凡夫俗子，都可以轻易成为神探，只要你能象她一样具备两大断案法宝——惊人敏锐的观察力，以及对人性超级深刻的洞察力。 当然，其实做不做神探都不打紧，夜半时分，寻把摇椅，倒杯茶，陪马普尔小姐坐着，看月光下，窗帘响处，凶手现形……一样过瘾十足。 阿加莎克里斯蒂经典篇目全新改编，超豪华演出阵容，史上最强版本。
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罗伯特·艾格斯
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故事发生在17世纪30年代的新英格兰，由于无法苟同教会的做法，虔诚的清教徒威廉（拉尔夫·尹爱森 Ralph Ineson 饰）遭到种植园的驱逐，被迫带着妻子凯瑟琳（凯特·迪基 Kate Dickie 饰）和一众儿女远迁来到一处荒芜所在。他们白手起家，历经艰辛，而尚在襁褓 中的儿子意外失踪则令一家人的心头蒙上挥之不去的阴影。天气恶劣，作物歉收，夫妻二人的关系陷入紧张，凯瑟琳心念下落不明的孩子，精神近于崩溃。在此期间，自感对孩子失踪负有主要责任的长女托马辛（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）心情沉重，此后不久，大弟凯勒布（哈维·斯克林肖 Harvey Scrimshaw 饰）在丛林深处遭遇女巫，心智错乱。 一家人的生活彻底陷入混乱，他们能否在信仰中得到救赎
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.